音乐厅里的那场戏让人印象深刻在圣洁的歌声中一边是国家大义一边是儿子的生命女人的痛苦随着音乐的高潮让我们感同身受而大量对谋杀即将到来的伴随音乐的渲染又让人提心吊胆期待着谋杀一刻的到来这部电影中音效的运用简直出神入化《被强迫的女人》不是单纯的情绪渲染而是巧妙地推动着情节结尾的“pick up Hank”又幽默了一把
松木有风:61.232.59.168
4.5; I would've given five stars if not for the ending; then again maybe its banality was intended exactly as a mockery on McKee? (not sure if I should keep on reading McKee's book after watching this film...) The ultimate meta-cinema. Every material used (including, and especially the self-loathing part) is from this world, yet when Kaufman pieces them together into a film it turns out to be so bizarre and out of this world.